Table of Contents
“In the movies there’s this idea that you should just go for your dream,” Glass tells them. “But I don’t believe that. Things happen in stages.” Glass emphasizes that it takes time to get good at anything, recounting the many years it took him to master radio to the point where he had interesting options. “The key thing is to force yourself through the work, force the skills to come; that’s the hardest phase,” he says. Noticing the stricken faces of his interviewers, who were perhaps hoping to hear something more uplifting than work is hard, so suck it up, Glass continues: “I feel like your problem is that you’re trying to judge all things in the abstract before you do them. That’s your tragic mistake.” (Location 278)
Valerie’s decision to stay on with the mayor’s office had required some thought, but she explained to us why she felt it was the right choice. She described feeling supported by Daley and knowing that she was being useful to the city. Her loyalty, she said, had been to Harold Washington’s principles more than to the man himself. Inspiration on its own was shallow; you had to back it up with hard work. (Location 2565)
Steven Pressfield describes the ritual in The War of Art: How many pages have I produced? I don’t care. Are they any good? I don’t even think about it. All that matters is I’ve put in my time and hit it with all I’ve got. All that counts is that, for this day, for this session, I have overcome Resistance. … Someone once asked Somerset Maugham if he wrote on a schedule or only when struck by inspiration. “I write only when inspiration strikes,” he replied. “Fortunately it strikes every morning at nine o’clock sharp.” That’s a pro. (Location 675)
Going through progressive summarization has felt like rote yet satisfying work. It requires time, a little bit of creative juice, and a lot of "hard work". IDK, it really does feel like farming with the mind, this whole micropublishing thing 202212181947
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